Past exhibitions 2022

^EXHIBITIONS

SOVEREIGN SISTERS:
domestic work

A Flinders University Museum of Art exhibition

Curated by Ali Gumillya Baker with Madeline Reece

11 October 2021 - 8 April 2022

FUMA Gallery I Social Sciences North Building I Bedford Park    

^{r e a, Gamilaraay, Wailwan and Biripi people, Iron from the series Look Who's Calling the Kettle Black, 1992, digital dye sublimation print, 19 x 25 cm, On loan from the artist, © r e a, 2021}

^EXHIBITIONS

The Data Imaginary: Fears and Fantasies 

Curated by Angela Goddard, Griffith University Art Museum, Katherine Moline, UNSW School of Art & Design, Amanda Hayman & Troy Casey, Blaklash Creative, and Beck Davis, ANU School of Art & Design. 

26 April - 8 July 2022

FUMA Gallery I Social Sciences North Building I Bedford Park    

^{Robert Andrew, Presence (detail), 2021, Video, silent, 27 mins, looped, Courtesy of the artist and Milani Gallery, Brisbane}

^EXHIBITIONS

The Guildhouse Collections Project: After the Fall 

A Flinders University Museum of Art exhibition presented in partnership with Guildhouse and supported by Arts South Australia

Artists: Elyas Alavi, Kate O’Boyle and Louise Haselton 
Curator: Alice Clanachan

25 July – 16 September 2022

FUMA Gallery I Social Sciences North Building I Bedford Park    

^{Image: John Martin (1789-1854), Adam and Eve driven out of Paradise (detail) from Illustrations to Paradise Lost, published by Septimus Prowett, 1827, mezzotint and etching, ink on paper, 13.8 x 20.7 cm (image), Collection of Flinders University Museum of Art 182.}

^EXHIBITIONS

There we were all in one place

4 October – 16 December 2022

FUMA Gallery I Social Sciences North Building I Bedford Park    

From 2016 to 2019 Hayley Millar Baker (Gunditjmara) produced five photographic series. Made almost exclusively in black and white, the photographs use historical re-appropriation and citation, in tandem with digital editing and archival research, to consider human experiences of time, memory and place. There we were all in one place brings these bodies of work together for the first time to consider the ways in which the artist harnesses photography and storytelling to re-author history and assert the authority of memory and experience across generations. Millar Baker’s layered photographic assemblages affirm Aboriginal experience and culture within the Australian Imaginary to form a complex narrative of place, family, identity and survival.

Artist: Hayley Millar Baker

A UTS Gallery & Art Collection touring exhibition.

^{Image: Hayley Millar Baker, I’m The Captain Now, Untitled 8, 2016, inkjet on cotton rag, 20 x 20 cm (each). Courtesy the artist and Vivien Anderson Gallery, Melbourne}