Secrets of The Deep North
Seeing a project develop from concept to a polished production is just one of the many benefits of studying a creative arts program at Flinders.
Flinders Creative Arts academics are immersed in the industry, and students reap the benefits of learning alongside active creative professionals who can not only provide an insight into where the creative industries are going, but who are also constantly adjusting their practice in response to developments.
Pontsho Nthupi, a creative arts student at Flinders, is learning firsthand how beneficial it is to work alongside an academic like Dr Matt Hawkins, with both involved in The Deep North, the first African-Australian musical debuting tonight (Wednesday, 10 March 2021) as part of the Adelaide Fringe Festival.
“Sometimes at uni everything seems a bit theoretical, but when your lecturer is also a working creative artist, you’re getting current knowledge as well as a lot of enthusiasm,” Pontsho said.
“Working with Matt has been great. You learn and grow together as artists by sharing a common passion for a particular project.”
Matt, who teaches screenwriting, playwriting, dramaturgy, documentary making and industry placement at Flinders says that it’s great to be able to show students how the real industry works.
“They see all the work involved, the problems you need to solve and even all the mistakes you make! Ultimately, they see a project through from concept to delivery before a real audience and that process is invaluable,” Matt said.
We offer appointments with our prospective student team to discuss career options, pathways, and course and entry requirements.
The initial concept for The Deep North came about while Matt was working on a play about Liberia and realised the most interesting stories about the African diaspora came from the performers themselves. Having worked in both Ghana and Uganda, he took inspiration from these countries when developing the production.
“The diverse cultures in Africa are a rich source of stories and theatrical styles. I was particularly struck by the harmonies and passion of the Ugandan choirs, that are the centres of their communities. Everybody sings! It’s as natural as breathing,” Matt said.
“I was also inspired by the Yoruba theatre that really beaks down the fourth wall between performer and audience. Its raw, passionate and real. Like Brecht, only a lot more fun. We want this show to be a celebration of African culture as it develops and grows in Australia.”
Pontsho said the African-Australian community in South Australia is amazingly talented and vibrant.
“Our people are really kicking goals in the music industry, with incredible artists like Elsy Wameyo and DyspOra. It’s been an amazing journey combining hip hop with afro-beat and other genres, as well as exploring the stories of our cast, where they’ve come from and how they’ve made sense of their environments.”
Pontsho admits however that that learning the realities of being a performing artist in the current industry has been challenging.
“It’s really hard work, but if you keep believing in yourself and what you really want to say, eventually you will find your voice and your audience. It’s a matter of gauging the circumstances and you can only do that when you’re in the game, so to speak. It’s also important to form and sustain relationships, not just with other artists, but venue managers, producers and arts administrators.”
Matt reiterated the importance of undertaking work-integrated learning, with many Flinders Creative Arts students going on to achieve great success in their careers.
“Kirsty Stark is now a producer with Kojo Productions. Benno Thiel is running his own video production company. Victoria Cox produced the award winning Wastelander Panda. Dario Russo wrote, directed and produced cult SBS comedy Danger 5. Sophie Hyde is running the major production company Closer Productions. The list goes on and on.”
“Working with industry leaders gives you confidence to express yourself in your own voice and it makes you future-ready.
“Flinders Creative Arts programs are hands-on and product-driven. We work with real clients and produce professional content. At the same time, we can analyse the impact of our work from an informed academic perspective. It is the ideal combination of research and practice.”
The Deep North launched on Wednesday, 10 March at the 2021 Adelaide Fringe Festival.
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